Reverse Audio vs Reverse Audio: Funny Voice
Revenue, downloads, ratings and category context for two iOS apps. Figures are estimates and should be read as ranges, not exact totals.
Reverse AudioNobutaka Yuasa - Music
Reverse Audio: Funny VoiceHai Nguyen Minh - Music| Metric | Reverse Audio | Reverse Audio: Funny Voice | Readout |
|---|---|---|---|
| Estimated revenue / mo | $*** - opens with trial | $*** - opens with trial | Partial signal |
| Revenue band | $*** - opens with trial | $*** - opens with trial | Use range + confidence |
| Estimated downloads / mo | $*** - opens with trial | $*** - opens with trial | Tie |
| Download band | $*** - opens with trial | $*** - opens with trial | Use range + confidence |
| Rating | - | 4.60 | Reverse Audio: Funny Voice |
| Rating count | - | 13k | Reverse Audio: Funny Voice |
| Tracked keywords | — | — | Tie |
| Category | Music | Music | Same market |
Which app is bigger?
Reverse Audio and Reverse Audio: Funny Voice are compared inside Music with monthly revenue, downloads, rating, review volume, keyword footprint, category placement and range context. Tie leads on monthly downloads in the current readout, while a clean revenue readout is available only for Reverse Audio in this pair. Tie wins demand, Reverse Audio: Funny Voice has deeper review volume, and Tie has the larger tracked keyword footprint. The better app depends on the job: choose the revenue leader when you need monetization proof, choose the download leader when reach matters, and choose the higher-rated or deeper-reviewed app when market trust is the constraint. Read both ranges rather than only the midpoint, then open the category hub and related collections to see whether this pair is an outlier or a normal category pattern.